sexy LEDs. thanks, goodship11:
LED Cube 8x8x8 running on an Arduino (by chrmoe)
neato
the green screen @ 51 3rd street.
An Animated GIF About SOPA by theoatmeal
(via: oatmeal)
STOP SOPA OR STOP SEEING MY PAGE: google.com/takeaction
REQUIRED READING: insidetherockposterframe/in-support-of-fight-against-sopa
SEND AN ANGRY LETTER TO YOUR SENATOR (it will take 1 minute, please support): americancensorship.org
Volcano Porn /via/
The Atlantic put together this fabulous photo series of volcanic activity around the world throughout the past year.
I’m reblogging this not because of the building, but because of the trees. These intertwining trees were all over Burgos, Spain, where I lived for 4 months in 2001. I love these trees. Plain and simple.
simplypi: offices for country council, zamora
For Seana /via/ nevver:Ross Gilmore
awesome /via/ photojojo:
Ever wondered what the inside of a working space shuttle looks like? Here’s a fisheye photo tour of space shuttle Atlantis, powered on for one last time before it’s moved to a museum.
Gallery: Last Look Inside Space Shuttle Atlantis
via boingboing
Photojojo is on a roll with stuff I like. I really love the way these scenes evoke a sense of lonliness, solitude, seclusion and the idea of the last man, the omega man, or even the idea of a post-apocalypse like Y:The Last Man. I also like the way the photographer not only doesn’t keep to one style of photography (in regards to b/w and the shading/contrast), but also how the man is placed within the void. Two of them are definitely off-center, which is a “standard” of “good” photography, but then one of the photos has a man directly in the middle. Breaking the off-center rule gives weight. Or some such nonsense.
Christophe Dessaigne photographs surreal scenes of lone figures wandering a post-apocalyptic landscape.
via Image23
"If you remember me, then I don’t care if everyone else forgets."
Haruki Murakami, Kafka on the Shore (via bookmania)
(via uncurlingocean)
I’m convinced /via/ ianbrooks: Stress by Yoan Capote
“Stress” depicts the constant metaphorical weight we feel in our daily lives, in this case under very real weight of 17 tons of concrete, compacting the molds of several people’s actual toofs. It looks like this sculpture may need a mouth guard.
(via: meh.ro)
